Artist Self-Portrait Gallery: inspiration and guessing game
August, Macke, Self-Portrait with Hat, 1909
Self Portrait with Bowler Hat by Paul Cézanne, 1883-1887
Edgar Degas, Self-Portrait in a Soft Hat, 1858
Emile Bernard, Self-Portrait with Portrait of Gauguin, 1888
Frida Kahlo, Self Portrait with Braid, 1941
Frida Kahlo, Self-Portrait Dedicated to Dr. Eloesser, 1940
Frida Kahlo, Self-Portrait with Thorn Necklace and Hummingbird, 1940
Goya, Self-Portrait in a Cocked Hat, ca. 1790
James Ensor, Self-Portrait with Flowered Hat, 1883
Joan Brown, Self-Portrait in Knit Hat, 1972
Judith Leyster’s Self-Portrait, c. 1630
Karl Schmidt-Rottluff, Self-Portrait with Hat, 1919
Keith Haring Untitled (self-portrait crawling)
Elisabeth Louise Vigée Le Brun, Self Portrait in a Straw Hat, after 1782
Marc Chagall, Self Portrait with Brushes, c. 1909
Claude Monet, Self-Portrait with a Beret, 1886
Paul Gauguin (1848-1903) Self-portrait with a hat 1893-1894
Paula Modersohn-Becker – Self-portrait with hat and veil, 1906 – 1907
Pablo Picasso, ‘Man with a Straw Hat and an Ice Cream Cone’, 1938, Musée Picasso, Paris
“Are we to paint what’s on the face, what’s inside the face, or what’s behind it?” ―Pablo Picasso
Rembrandt van Rijn, SELF PORTRAIT WITH A WIDE-BRIMMED HAT 1632
Pierre-Auguste Renoir, Self-Portrait, 1899
Luca Signorelli, Self-portrait (detail from The Preaching and Acts of the Antichrist), 1500
Theo van Doesburg, Self portrait with hat, 1906
Vincent Van Gogh, Self-Portrait with a Straw Hat , 1887
Vincent van Gogh Self-Portrait with Dark Felt Hat Paris: Spring, 1886 Van Gogh Museum Amsterdam, The Netherlands
Vincent van Gogh, Self Portrait with Bandaged Ear, 1889
Rembrandt van Rijn – Self-portrait wearing a Hat and two Chains c. 1642
Rembrandt van Rijn, Self-Portrait, c. 1636-38, Norton Simon Museum, Rembrandt was his own favorite model, and there is no moment in the artist’s biography that he did not vividly represent. Rembrandt portrays himself here in the characteristic beret that had been associated with the artistic milieu since the sixteenth century. The chain around his neck was a symbol of prestige awarded to artists, often by a noble patron. The combination of elegant attire and an artist’s attributes elevates Rembrandt to the status of a fine artist. This distinction was important at a time when artists were only beginning to realize their social standing among the creative elite.